Rachel MacFarlane Resources Tackle this necessary evil with confidence.
A Guest Post by Chris Folsom. It is an incredibly difficult task to describe your own work without sounding arrogant or self-absorbed. Worse yet, if your images span a variety of subjects and styles as mine often totrying to sum up the collection in a paragraph or two may seem impossible.
Here are some tips I go by when writing an artist statement for a shop or gallery that will be displaying my work: Start with the basics Jot down some basic information about the photos included in this collection.
Do they have a common theme? Were they all taken in a similar location? Having a short list of details will help later when you are trying to tie everything together.
Try not to get too technical Nobody reading the statement will care if you shot with a Canon 5D or if Photoshop is your post-processing software of choice. If there are some truly unique elements involved in the work printed on a special material or you shot through a hand-crafted lens, for examplefeel free to include that information.
Otherwise, leave out the details about your gear. What would you like someone else to say of this work? This is possibly the best way to get to the heart of why you took these photos. How long have you been doing this kind of art? Why did you start? Why do you enjoy it? Try not to pat yourself on the back too much It is fine to say you are proud of this body of work, but try not to go overboard with the self praise.
I understand the value of confidence and selling yourself, but these kinds of descriptions will be a turnoff to a lot of people.
A friend once suggested that I do a haiku for my statement, which I thought was a genius idea. Different venues will have their own requirements, but take the opportunity to do something out of the norm if you can.
If these photos have a mission, it is this: It may be a lonesome tree on an isolated hill or the dark interior of an abandoned building.
Whatever the locale, on the best of days these images will stir up unexpected feelings and thoughts in the viewer.1 edexcel btec form fad 2b page 1 of 2 statement of intent fad 2b btec level 3 diploma in foundation studies (art & design) this section to be completed by the student. statement of intent.
What is your chosen theme and why have you chosen to study this? My chosen theme for my A2 Level photography exam is: ‘Flaws, Perfections, Ideals and Compromises’, I will be specifically focusing on ‘Flaws and Perfection’.
I really liked this artist statement by Elisa Paloschil, so I used it as a form to build my artist statement attheheels.com free to use my work as a model for yours. “I use photography as a means of self-expression – I make pictures for myself, to identify with hidden qualities of my character, to better understand my reality, and to express my interpretation of the world.
Feb 12, · For my initial research I will start by looking into street photographers. At the moment, I have three in mind that I want to look at. These are Robert Frank, Christophe Agou and Tom wood.
I chose Robert frank because he’s a contemporary street photographer that I can gain a lot of inspiration from for my own work.
A GUIDE TO WRITING A STATEMENT OF INTENT. OVERVIEW OF THE PROJECT You should begin your statement by defining the question that frames the focus of the research you will use to drive your project, and inform .
Feb 12, · Photography exam- Statement of intent. February 12, Filed under: Photography — Jade @ pm. as I’m always aiming to push myself to new attheheels.com the creation of my final piece I will write a final evaluation on the project as a whole, reflecting on what went well and what I would do differently or change given.